BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Manuel Alcaraz Clemente - ECPv6.18.0//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:Manuel Alcaraz Clemente
X-ORIGINAL-URL:https://manuelalcarazclemente.com
X-WR-CALDESC:Events for Manuel Alcaraz Clemente
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:UTC
BEGIN:STANDARD
TZOFFSETFROM:+0000
TZOFFSETTO:+0000
TZNAME:UTC
DTSTART:20250101T000000
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END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=UTC:20261028T200000
DTEND;TZID=UTC:20261028T213000
DTSTAMP:20260330T094403Z
CREATED:20260330T094403Z
LAST-MODIFIED:20260330T094403Z
UID:2410-1793217600-1793223000@manuelalcarazclemente.com
SUMMARY:Schallfeld --- SPIEGELUNGEN V
DESCRIPTION:
URL:https://manuelalcarazclemente.com/event/schallfeld-spiegelungen-v/
LOCATION:Theater am Lend\, Wiener Str. 58a\, Graz\, 8020
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20261111T190000
DTEND;TZID=UTC:20261111T200000
DTSTAMP:20260910T064425Z
CREATED:20260417T191105Z
LAST-MODIFIED:20260910T064425Z
UID:2428-1794423600-1794427200@manuelalcarazclemente.com
SUMMARY:PHACE - Wien Modern - SLOW DOWN
DESCRIPTION:Aleksandra Bajde (Konzept\, Komposition\, Stimme\, Projektmanagement) \nLina Morawetz (Text)\, Philipp Lossau (Bühnenbild) \nEnsemble PHACE \nReaktor Wien
URL:https://manuelalcarazclemente.com/event/phace-2/
LOCATION:Reaktor Wien\, Geblergasse 36-40\, Wien\, Austria
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20261111T210000
DTEND;TZID=UTC:20261111T220000
DTSTAMP:20260910T064447Z
CREATED:20260910T064447Z
LAST-MODIFIED:20260910T064447Z
UID:2530-1794430800-1794434400@manuelalcarazclemente.com
SUMMARY:PHACE - Wien Modern - SLOW DOWN
DESCRIPTION:Aleksandra Bajde (Konzept\, Komposition\, Stimme\, Projektmanagement) \nLina Morawetz (Text)\, Philipp Lossau (Bühnenbild) \nEnsemble PHACE \nReaktor Wien
URL:https://manuelalcarazclemente.com/event/phace-wien-modern-slow-down/
LOCATION:Reaktor Wien\, Geblergasse 36-40\, Wien\, Austria
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20261113T090000
DTEND;TZID=UTC:20261113T120000
DTSTAMP:20261002T092538Z
CREATED:20260627T131622Z
LAST-MODIFIED:20261002T092538Z
UID:2446-1794560400-1794571200@manuelalcarazclemente.com
SUMMARY:Masterclass --- CSMIB (Palma de Mallorca)
DESCRIPTION:Workshop and Masterclass for the percussion class at the CSMIB (Prof. Carlota Cáceres class)
URL:https://manuelalcarazclemente.com/event/masterclass-csmib-palma-de-mallorca/
LOCATION:Conservatori Superior de Musica de les Illes Balears\, C/ d'Alfons el Magnànim\, 64\, Palma\, 07004\, Spain
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20261113T200000
DTEND;TZID=UTC:20261113T213000
DTSTAMP:20260914T061335Z
CREATED:20260417T190856Z
LAST-MODIFIED:20260914T061335Z
UID:2424-1794600000-1794605400@manuelalcarazclemente.com
SUMMARY:PHACE --- Die Stadt ohne Juden --- ME_MMIX Festival
DESCRIPTION:Stummfilm\nDie Stadt ohne Juden  (Österreich\, 1924) \nRegie: Hans Karl Breslauer\nMusik: Olga Neuwirth (2017) \nComissioned by Wiener Konzerthaus\, Elbphilharmonie Hamburg\, Ensemble Intercontemporain\, Barbican Centre and Sinfonieorchester Basel.  \nThe silent film THE CITY WITHOUT JEWS is now considered one of the most important Austrian productions of the interwar period. In an irritatingly prophetic way\, it shows the cultural and economic impoverishment of a city after the expulsion of the Jewish population. The work was only preserved in a fragmentary version – also trivializing its content – until the Austrian Film Archive finally rediscovered the missing parts in France.
URL:https://manuelalcarazclemente.com/event/phace-die-stadt-ohne-juden-me_mmix-festival/
LOCATION:Teatre Principal de Palma\, Carrer de la Riera\, 2\, Centre\, Palma\, 07003\, Spain
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20261127T193000
DTEND;TZID=UTC:20261127T213000
DTSTAMP:20260325T075143Z
CREATED:20260325T075130Z
LAST-MODIFIED:20260325T075143Z
UID:2397-1795807800-1795815000@manuelalcarazclemente.com
SUMMARY:PHACE --- Zyklus #1 --- States of Intermeshing
DESCRIPTION:Programm: \nMatthias Kranebitter\n28 Auditory Scenes for investigating cocktail party deafness (2022) \nCorie Rose Soumah\nStates of Intermeshing: vii. what is past is prologue (2025) (EA) \nDavor Vincze\nQUEE(n)R (2023) (EA) \nPause \nGeorgia Koumará\nNeues Werk (2026) (UA)\nKompositionsauftrag von PHACE und Wien Modern
URL:https://manuelalcarazclemente.com/event/phace-zyklus-1-states-of-intermeshing/
LOCATION:Wiener Konzerthaus – Berio Saal\, Lothringerstraße 20\, Vienna\, 1030\, Austria
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20261202T200000
DTEND;TZID=UTC:20261202T213000
DTSTAMP:20260330T094849Z
CREATED:20260330T094849Z
LAST-MODIFIED:20260330T094849Z
UID:2413-1796241600-1796247000@manuelalcarazclemente.com
SUMMARY:Schallfeld --- SPIEGELUNGEN VI
DESCRIPTION:
URL:https://manuelalcarazclemente.com/event/schallfeld-spiegelungen-vi/
LOCATION:Minoritensaal-Graz\, Mariahilferpl. 3\, Graz \, Austria
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261218
DTEND;VALUE=DATE:20261220
DTSTAMP:20261002T093604Z
CREATED:20261002T093252Z
LAST-MODIFIED:20261002T093604Z
UID:2588-1797552000-1797724799@manuelalcarazclemente.com
SUMMARY:Composing for Percussion --- Workshop & Concert for Composition Students --- CSMIB
DESCRIPTION:Composing for Percussion is a year-long programme/project I am developing with the composition students of the Conservatori Superior de Música de les Illes Balears (CSMIB) and their teachers\, following the first edition of the project\, which I did at the CSMIB during the 2022–23 academic year. \nThe programme begins with a two-day workshop on 18–19 December 2026\, where I will introduce different percussion instruments\, extended techniques\, approaches to notation and ways of thinking about sound\, while working individually with the students on their ideas and compositions. \nThe process will continue throughout the academic year\, culminating on 7–8 May 2027 with rehearsals and a final concert\, where the students’ new pieces will be premiered. \nMy main aim is to make this first experience of composing for percussion a positive and enriching one\, while accompanying the students through the complete creative process\, from experimentation phase\, through composition and individual work\, to rehearsal and live performance. \n 
URL:https://manuelalcarazclemente.com/event/composing-for-percussion-workshop-concert-for-composition-students/
LOCATION:Conservatori Superior de Musica de les Illes Balears\, C/ d'Alfons el Magnànim\, 64\, Palma\, 07004\, Spain
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20270126T193000
DTEND;TZID=UTC:20270126T213000
DTSTAMP:20260325T075808Z
CREATED:20260325T075618Z
LAST-MODIFIED:20260325T075808Z
UID:2399-1800991800-1800999000@manuelalcarazclemente.com
SUMMARY:PHACE --- Zyklus #2 --- FACES
DESCRIPTION:PHACE\n\n\nMichael Wendeberg\, Dirigent\n\n\n\n\n\n\n\nProgramm\n\n\n\nManuela Kerer \n\nepicyclic noise (2018/2026) \n\n\n\n\n\nRafał Ryterski \n\nMaserholz (2026)Kompositionsauftrag von Radio Österreich 1 in Kooperation mit ORF musikprotokoll für PHACE \n\n\n\n\n\nPause \n\n\n\n\nClemens Gadenstätter \n\nFACES (2025–2026)Kompositionsauftrag von PHACE und Wiener Konzerthaus
URL:https://manuelalcarazclemente.com/event/phace-zyklus-2-faces/
LOCATION:Wiener Konzerthaus – Berio Saal\, Lothringerstraße 20\, Vienna\, 1030\, Austria
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20270309T193000
DTEND;TZID=UTC:20270309T213000
DTSTAMP:20260325T075940Z
CREATED:20260325T075846Z
LAST-MODIFIED:20260325T075940Z
UID:2401-1804620600-1804627800@manuelalcarazclemente.com
SUMMARY:PHACE --- Zyklus #3 --- RITUS
DESCRIPTION:Programm\n\n\n\n\n\n\n\n\nEva Reiter \n\nRITUS. Eine musiktheatrale Raumkomposition für Ensemble (2026) (UA)Kompositionsauftrag von PHACE und Wiener Konzerthaus
URL:https://manuelalcarazclemente.com/event/phace-zyklus-3-ritus/
LOCATION:Wiener Konzerthaus – Berio Saal\, Lothringerstraße 20\, Vienna\, 1030\, Austria
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20270417
DTEND;VALUE=DATE:20270418
DTSTAMP:20261020T180154Z
CREATED:20261020T180103Z
LAST-MODIFIED:20261020T180154Z
UID:2601-1807920000-1808006399@manuelalcarazclemente.com
SUMMARY:PHACE --- Music Biennale Zagreb
DESCRIPTION:  \n\n\n\n\n\n\n\n\n\nAlexander Schubert \n\n\n\n\n\n\n\n\n\n\nAUTOFICTION für Stimme\, Ensemble\, Elektronik und Video\nKompositionsauftrag von PHACE\, Radio Österreich 1 in Kooperation mit ORF musikprotokoll\, Music Biennale Zagreb – ermöglicht von der Ernst von Siemens Musikstiftung. \nGeorgia Koumara\n(IN)Habitants für Ensemble und Elektronik\, 2026\nKompositionsauftrag von PHACE & Wien Modern\, ermöglicht von der Ernst von Siemens Musikstiftung \nAlex Mincek\nNeues Werk für Ensemble\, 2026/27 (UA)\nKompositionsauftrag von Music Biennale Zagreb \n\n\n\n\n\nDie Technologisierung des Alltags schreitet rasant fort und breitet sich in vielen Lebensbereichen\, auf gesellschaftlicher und auch individueller Ebene weiter aus. Auch in der Musik stehen Umbrüche und Transformationsprozesse an und sind zum Teil schon jetzt hörbar: Georgia Koumará erschafft für (IN)habitants ein transhumanistisches Ökosystem\, in dem Musiker*innen\, Objekte und Elektronik interagieren und koexistieren und dessen Zusammensetzung und Struktur sich für jede Aufführung neu formt. Ausgehend von einer Gegenwart\, in der Körper und Gedanken schon von Technologie und Informationsalgorithmen geprägt werden\, untersucht die modulare Komposition die wachsenden Verstrickungen zwischen Mensch und Maschine auch im Hinblick auf die damit einhergehenden sozialen Abhängigkeiten\, Ungleichheiten und Machtgefüge. In AUTO FICTION verbindet Alexander Schubert autobiografisches Material mit KI-Verfahren\, die daraus ein augmentiertes Archiv seiner Erinnerungen erschaffen – gewissermaßen als „kollektives Unbewusstes“ kultureller Daten – in dem die Grenzen zwischen Dokumentation und Fiktion zusehends verschwimmen. Alex Mincek schreibt im Auftrag der Musikbiennale Zagreb ein neues Werk für Ensemble. \n\n\n\n\n\n\n\n\nNN\, conductor \n\n\n\n\n\n\n\n  \n\n\n\n\n\n\n\n\n\nHelēna Sorokina\, voice\n \nPHACE\nDoris Nicoletti\, flute\nReinhold Brunner\, clarinet\nMichael Krenn\, saxophone\nStefan Obmann\, trombone\nMathilde Hoursiangou\, piano\nManuel Alcaraz Clemente\, percussion\nFrancesco Palmieri\, e-guitar\nIvana Pristašová Zaugg\, violin\nPetra Ackermann\, viola\nRoland Schueler\, cello\nAlexandra Dienz\, double bass \nSOUND DESIGN\nAlfred Reiter \n\n\n\n\n\n\n\n\n\n  \n\n\n\n\n\n\n\n\n 
URL:https://manuelalcarazclemente.com/event/phace-music-biennale-zagreb/
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20270507
DTEND;VALUE=DATE:20270509
DTSTAMP:20261002T093609Z
CREATED:20261002T093609Z
LAST-MODIFIED:20261002T093609Z
UID:2593-1809648000-1809820799@manuelalcarazclemente.com
SUMMARY:Composing for Percussion --- Workshop & Concert for Composition Students --- CSMIB
DESCRIPTION:Composing for Percussion is a year-long programme/project I am developing with the composition students of the Conservatori Superior de Música de les Illes Balears (CSMIB) and their teachers\, following the first edition of the project\, which I did at the CSMIB during the 2022–23 academic year. \nThe programme begins with a two-day workshop on 18–19 December 2026\, where I will introduce different percussion instruments\, extended techniques\, approaches to notation and ways of thinking about sound\, while working individually with the students on their ideas and compositions. \nThe process will continue throughout the academic year\, culminating on 7–8 May 2027 with rehearsals and a final concert\, where the students’ new pieces will be premiered. \nMy main aim is to make this first experience of composing for percussion a positive and enriching one\, while accompanying the students through the complete creative process\, from experimentation phase\, through composition and individual work\, to rehearsal and live performance.
URL:https://manuelalcarazclemente.com/event/composing-for-percussion-workshop-concert-for-composition-students-csmib/
LOCATION:Conservatori Superior de Musica de les Illes Balears\, C/ d'Alfons el Magnànim\, 64\, Palma\, 07004\, Spain
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20270525T193000
DTEND;TZID=UTC:20270525T213000
DTSTAMP:20260325T080731Z
CREATED:20260325T080510Z
LAST-MODIFIED:20260325T080731Z
UID:2406-1811273400-1811280600@manuelalcarazclemente.com
SUMMARY:PHACE --- Zyklus #4 --- Illusions
DESCRIPTION:PHACE\n\n\nHelēna Sorokina\, Stimme\n\n\n\n\n\n\n\nProgramm\n\n\n\nPhilip Venables \n\nIllusions (feat. David Hoyle) (2017) (EA) \n\n\n\n\n\nMarco Döttlinger \n\nNeues Werk (2026–2027) (UA)Kompositionsauftrag von PHACE \n\n\n\n\n\nCorie Rose Soumah \n\nStates of Intermeshing: xi. épilogue (2024) (EA) \n\nPause \n\n\n\n\nAlexander Schubert \n\nAUTO FICTION (2026)Kompositionsauftrag von Radio Österreich 1 in Kooperation mit ORF musikprotokoll und PHACE
URL:https://manuelalcarazclemente.com/event/phace-zyklus-4-illusions/
LOCATION:Wiener Konzerthaus – Berio Saal\, Lothringerstraße 20\, Vienna\, 1030\, Austria
END:VEVENT
END:VCALENDAR