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X-ORIGINAL-URL:https://manuelalcarazclemente.com/de
X-WR-CALDESC:Veranstaltungen für Manuel Alcaraz Clemente
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TZID:UTC
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BEGIN:VEVENT
DTSTART;TZID=UTC:20260429T193000
DTEND;TZID=UTC:20260429T213000
DTSTAMP:20260423T170408
CREATED:20250401T062039Z
LAST-MODIFIED:20251108T175155Z
UID:2078-1777491000-1777498200@manuelalcarazclemente.com
SUMMARY:PHACE --- Foxtrot Délirium
DESCRIPTION:Martin Matalon \nFoxtrot Délirium for 12 instruments and electronics\, 2015\nMusic for the silent film \nDie Austernprinzessin (1919) Director: Ernst Lubitsch\, Script: Ernst Lubitsch\, Hanns Kräly \n\n\n\n\nThis early silent film by master director Ernst Lubitsch already demonstrates his tremendous talent for timing. With a light touch and exuberant inventiveness\, he staged the fast-paced\, satirical social comedy genre for the first time\, perfecting it. \nThe extremely wealthy American businessman Quaker has earned his fortune from seafood and is therefore known everywhere as the Oyster King. His spirited daughter\, the “Oyster Princess\,” is determined to marry a European nobleman. This leads her to the penniless Prince Nuki\, who first sends his servant Josef ahead. Believing she has a real prince on her hands\, the impetuous millionaire’s daughter marries the servant at the first opportunity. In doing so\, she sets in motion a turbulent chain of events… \nMusically\, Martin Matalon exploits the entire spectrum of possible relationships between music and images\, between the editing of the film and the articulation of the music: from the most dependent parallelism to the most complete divergence. From the points of contact between music and image\, a third\, independent work emerges that carries an important aspect of Lubitsch’s film into the present: social criticism through comedy and humor. Humor\, which is all too often lacking in contemporary music\, enables us to deal with important\, often profound things with wit and lightness.
URL:https://manuelalcarazclemente.com/de/event/phace-foxtrot-delirium/
LOCATION:Wiener Konzerthaus\, Großer Saal\, Lothringerstraße 20\, Vienna\, 1030\, Austria
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260508T200000
DTEND;TZID=UTC:20260508T220000
DTSTAMP:20260423T170408
CREATED:20250822T140338Z
LAST-MODIFIED:20251125T191936Z
UID:2180-1778270400-1778277600@manuelalcarazclemente.com
SUMMARY:PHACE --- Munich Biennale --- CODEBORN (Premiere)
DESCRIPTION:Codeborn\n8. May. 2026 (wp)\n9.-10. May. 2026\nMünchner Biennale\nFestival für neues Musiktheater\nMuffathalle \n\n\n\n\nZara Ali\, Komposition\, Konzept\, Text\nHannah Dübgen\, Bühnenfassung\, Konzept\nFlorentine Klepper\, Deva Schubert \, Regie\nHansjörg Sofka\, Musikalische Leitung\nWolfgang Menardi\, Set- und Kostümdesign\nJulia Spinola\, Dramaturgie \nPHACE\nWalter Seebacher\, Klarinette\nMichael Krenn\, Saxophon\nMathilde Hoursiangou\, Keyboard\nManuel Alcaraz Clemente\, Percussion\nFrancesco Palmieri\, E-Gitarre\nRoland Schueler\, Cello\nAlexandra Dienz\, Kontrabass \nNontobeko Bhengu\, Sopran\nFlorian Stern\, Tenor\nJulien Horbatuk\, Bariton\nAndrea De Majo\, Musical\, Tänzer\, Countertenor \n\n\n\n\n\n\n\n\n\n\nZara Ali\nCodeborn – Musiktheater (2025/26\, UA) \n\n\n\n\nIn „Codeborn“ wird die Welt einer künstlichen Intelligenz ausgesetzt. Ein unaufhaltsamer Transformationsprozess setzt ein\, der sich jeder Erklärung entzieht und zugleich Faszination wie Verunsicherung hervorruft. Machtfantasien steigern sich ins Grenzenlose\, alte Hierarchien zerfallen\, und unmögliche Begegnungen werden zur Realität.\nZara Alis Musiktheater verweigert sich sowohl Endzeitstimmung als auch Kulturpessimismus – es ist weder Utopie noch Dystopie. Ihre Musik umfasst die ganze Spannbreite des Umbruchs und macht das Unvorstellbare hörbar. \nEine Koporoduktion der Münchener Biennale und Tiroler Landestheater Innsbruck\, in Kooperation mit Bayerische Staatsoper\, Ars Electronica Linz and Klangspuren Schwaz. Kompositions- und Librettoauftrag der Landeshauptstadt München zur Münchener Biennale.
URL:https://manuelalcarazclemente.com/de/event/phace-munich-biennale/
LOCATION:Muffathalle\, Zellstraße 4\, Munich\, 81667\, Germany
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260509T200000
DTEND;TZID=UTC:20260509T220000
DTSTAMP:20260423T170408
CREATED:20250822T140413Z
LAST-MODIFIED:20251125T192232Z
UID:2181-1778356800-1778364000@manuelalcarazclemente.com
SUMMARY:PHACE --- Munich Biennale --- CODEBORN
DESCRIPTION:Codeborn\n8. May. 2026 (wp)\n9.-10. May. 2026\nMünchner Biennale\nFestival für neues Musiktheater\nMuffathalle \n\n\n\n\nZara Ali\, Komposition\, Konzept\, Text\nHannah Dübgen\, Bühnenfassung\, Konzept\nFlorentine Klepper\, Deva Schubert \, Regie\nHansjörg Sofka\, Musikalische Leitung\nWolfgang Menardi\, Set- und Kostümdesign\nJulia Spinola\, Dramaturgie \nPHACE\nWalter Seebacher\, Klarinette\nMichael Krenn\, Saxophon\nMathilde Hoursiangou\, Keyboard\nManuel Alcaraz Clemente\, Percussion\nFrancesco Palmieri\, E-Gitarre\nRoland Schueler\, Cello\nAlexandra Dienz\, Kontrabass \nNontobeko Bhengu\, Sopran\nFlorian Stern\, Tenor\nJulien Horbatuk\, Bariton\nAndrea De Majo\, Musical\, Tänzer\, Countertenor \n\n\n\n\n\n\n\n\n\n\nZara Ali\nCodeborn – Musiktheater (2025/26\, UA) \n\n\n\n\nIn „Codeborn“ wird die Welt einer künstlichen Intelligenz ausgesetzt. Ein unaufhaltsamer Transformationsprozess setzt ein\, der sich jeder Erklärung entzieht und zugleich Faszination wie Verunsicherung hervorruft. Machtfantasien steigern sich ins Grenzenlose\, alte Hierarchien zerfallen\, und unmögliche Begegnungen werden zur Realität.\nZara Alis Musiktheater verweigert sich sowohl Endzeitstimmung als auch Kulturpessimismus – es ist weder Utopie noch Dystopie. Ihre Musik umfasst die ganze Spannbreite des Umbruchs und macht das Unvorstellbare hörbar. \nEine Koporoduktion der Münchener Biennale und Tiroler Landestheater Innsbruck\, in Kooperation mit Bayerische Staatsoper\, Ars Electronica Linz and Klangspuren Schwaz. Kompositions- und Librettoauftrag der Landeshauptstadt München zur Münchener Biennale.
URL:https://manuelalcarazclemente.com/de/event/phace-munich-biennale-2/
LOCATION:Muffathalle\, Zellstraße 4\, Munich\, 81667\, Germany
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260510T200000
DTEND;TZID=UTC:20260510T220000
DTSTAMP:20260423T170408
CREATED:20250822T140445Z
LAST-MODIFIED:20251125T192227Z
UID:2184-1778443200-1778450400@manuelalcarazclemente.com
SUMMARY:[:en]PHACE --- Munich Biennale --- CODEBORN[:de]PHACE --- Munich Biennale --- CODEBORN [:]
DESCRIPTION:Codeborn\n8. May. 2026 (wp)\n9.-10. May. 2026\nMünchner Biennale\nFestival für neues Musiktheater\nMuffathalle \n\n\n\n\nZara Ali\, Komposition\, Konzept\, Text\nHannah Dübgen\, Bühnenfassung\, Konzept\nFlorentine Klepper\, Deva Schubert \, Regie\nHansjörg Sofka\, Musikalische Leitung\nWolfgang Menardi\, Set- und Kostümdesign\nJulia Spinola\, Dramaturgie \nPHACE\nWalter Seebacher\, Klarinette\nMichael Krenn\, Saxophon\nMathilde Hoursiangou\, Keyboard\nManuel Alcaraz Clemente\, Percussion\nFrancesco Palmieri\, E-Gitarre\nRoland Schueler\, Cello\nAlexandra Dienz\, Kontrabass \nNontobeko Bhengu\, Sopran\nFlorian Stern\, Tenor\nJulien Horbatuk\, Bariton\nAndrea De Majo\, Musical\, Tänzer\, Countertenor \n\n\n\n\n\n\n\n\n\n\nZara Ali\nCodeborn – Musiktheater (2025/26\, UA) \n\n\n\n\nIn „Codeborn“ wird die Welt einer künstlichen Intelligenz ausgesetzt. Ein unaufhaltsamer Transformationsprozess setzt ein\, der sich jeder Erklärung entzieht und zugleich Faszination wie Verunsicherung hervorruft. Machtfantasien steigern sich ins Grenzenlose\, alte Hierarchien zerfallen\, und unmögliche Begegnungen werden zur Realität.\nZara Alis Musiktheater verweigert sich sowohl Endzeitstimmung als auch Kulturpessimismus – es ist weder Utopie noch Dystopie. Ihre Musik umfasst die ganze Spannbreite des Umbruchs und macht das Unvorstellbare hörbar. \nEine Koporoduktion der Münchener Biennale und Tiroler Landestheater Innsbruck\, in Kooperation mit Bayerische Staatsoper\, Ars Electronica Linz and Klangspuren Schwaz. Kompositions- und Librettoauftrag der Landeshauptstadt München zur Münchener Biennale.
URL:https://manuelalcarazclemente.com/de/event/phace-munich-biennale-3/
LOCATION:Muffathalle\, Zellstraße 4\, Munich\, 81667\, Germany
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260528T190000
DTEND;TZID=UTC:20260528T203000
DTSTAMP:20260423T170408
CREATED:20250421T170648Z
LAST-MODIFIED:20251108T190325Z
UID:2084-1779994800-1780000200@manuelalcarazclemente.com
SUMMARY:PHACE --- Die Stadt ohne Juden --- Semperoper Dresden
DESCRIPTION:Stummfilm\nDie Stadt ohne Juden  (Österreich\, 1924) \nRegie: Hans Karl Breslauer\nMusik: Olga Neuwirth (2017) \nComissioned by Wiener Konzerthaus\, Elbphilharmonie Hamburg\, Ensemble Intercontemporain\, Barbican Centre and Sinfonieorchester Basel.  \nThe silent film THE CITY WITHOUT JEWS is now considered one of the most important Austrian productions of the interwar period. In an irritatingly prophetic way\, it shows the cultural and economic impoverishment of a city after the expulsion of the Jewish population. The work was only preserved in a fragmentary version – also trivializing its content – until the Austrian Film Archive finally rediscovered the missing parts in France. \n\nSemperoper Dresden 2026\n\n\n\n\nFor the “Year of Jewish Culture in Saxony 2026\,” the Semperoper is showing Hans Karl Breslauer’s 1924 silent film The City Without Jews for the first time\, with live music by the renowned composer Olga Neuwirth. \n28. May 2026\n19 Uhr\nSemperoper Dresden \nConductor: Nacho de Paz\nPHACE \nSpeaker:  Jörg Schüttauf
URL:https://manuelalcarazclemente.com/de/event/phace-die-stadt-ohne-juden-semperoper-dresden/
LOCATION:Semperoper\, Theaterplatz 2\, Dresden\, 01067\, Germany
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260603T193000
DTEND;TZID=UTC:20260603T210000
DTSTAMP:20260423T170408
CREATED:20250324T185729Z
LAST-MODIFIED:20251108T174856Z
UID:2060-1780515000-1780520400@manuelalcarazclemente.com
SUMMARY:PHACE --- Zyklus --- Solstices
DESCRIPTION:
URL:https://manuelalcarazclemente.com/de/event/phace-zyklus-solstices/
LOCATION:Wiener Konzerthaus – Berio Saal\, Lothringerstraße 20\, Vienna\, 1030\, Austria
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260612T203000
DTEND;TZID=UTC:20260612T213000
DTSTAMP:20260423T170408
CREATED:20260222T191226Z
LAST-MODIFIED:20260222T191226Z
UID:2356-1781296200-1781299800@manuelalcarazclemente.com
SUMMARY:PHACE + Liquid Loft --- coal mine birds
DESCRIPTION:tanz ist Festival: Liquid Loft < > PHACE (AT) – Coal Mine Birds\nWenn ihr Lied verstummte\, bestand Lebensgefahr. \n\n\n\n\n\n\nGrubenarbeiter nahmen Kanarienvögel in die Minen mit\, um Kohlenmonoxid und andere Giftgase zu erkennen. Kippte der Vogel im Käfig um\, mussten die Bergleute schnell fliehen. Der Begriff „canary in the coal mine” ist eine Metapher für eine frühe Warnung vor unsichtbaren Risiken. Die „Coal Mine Birds“ der modernen Kunst sind die Seismografen der sozialen\, politischen\, kulturellen und ökologischen Umbrüche\, die uns noch blühen werden. \nDie frontal positionierten Körper der Tänzer verbinden sich mit Paneelen\, Spiegeln und Live-Kameras zu „instabilen Hybriden“ und interagieren in ihren eigenen überlebensgroßen Videobildern. Körper\, Objekteund Live-Videos verschmelzen zu instabilen „Hybridwesen“. Ein zentrales Element der Performance sind die live gespielten zeitgenössischen Kompositionen von Phace\, Ensemble für Neue Musik. \n„Coal Mine Birds“ ist eine weitere Kooperation mit Liquid Loft\, Künstlerische Leitung Chris Haring. Eine spezielle Fassung für den Dornbirner Spielboden wird erarbeitet. \nDauer: 60 Minuten \n\n\nLiquid Loft:\nTanz und Choreografie: Katharina Meves\, Dante Murillo\, Verena Herterich\, Hannah Timbrell\, Jackson Carroll. Künstlerische Leitung und Choreografie: Chris Haring\, Komposition und Soundkonzept: Andreas Berger\, Licht Design und Scenografie: Thomas Jelinek\, Company Management: Cornelia Lehner\, Produktion: Judith Thaler\, Stage Management: Roman Harrer\, Kostüme: Stefan Röhrle\, Social Media: Valentina Diaz\, Texte: Stefan Grissemann \nPHACE:\nManuel Alcaraz Clemente (Schlagwerk)\, Alexandra Dienz (Kontrabass)\, Mathilde Hoursiangou (Klavier/ Keyboard)\, Walter Seebacher (Klarinette(n)) und Roland Schueler (Cello)\, Künstlerische Leitung: Reinhard Fuchs\, Produktion: Markus Bruckner\, PR & Social Media: Michael Eder \nKomponist:innen:\nSimon Steen Andersen\, Alessandro Baticci\, Andreas Berger\, Jérôme Combier\, François Sarhan und Agata Zubel
URL:https://manuelalcarazclemente.com/de/event/phace-liquid-loft-coal-mine-birds/
LOCATION:Spielboden Dornbirn\, Färbergasse 15\, Dornbirn\, 6850 Dornbirn\, Austria
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260613T203000
DTEND;TZID=UTC:20260613T213000
DTSTAMP:20260423T170408
CREATED:20260222T191457Z
LAST-MODIFIED:20260222T191457Z
UID:2357-1781382600-1781386200@manuelalcarazclemente.com
SUMMARY:PHACE + Liquid Loft --- coal mine birds
DESCRIPTION:tanz ist Festival: Liquid Loft < > PHACE (AT) – Coal Mine Birds\nWenn ihr Lied verstummte\, bestand Lebensgefahr. \n\n\n\n\n\n\nGrubenarbeiter nahmen Kanarienvögel in die Minen mit\, um Kohlenmonoxid und andere Giftgase zu erkennen. Kippte der Vogel im Käfig um\, mussten die Bergleute schnell fliehen. Der Begriff „canary in the coal mine” ist eine Metapher für eine frühe Warnung vor unsichtbaren Risiken. Die „Coal Mine Birds“ der modernen Kunst sind die Seismografen der sozialen\, politischen\, kulturellen und ökologischen Umbrüche\, die uns noch blühen werden. \nDie frontal positionierten Körper der Tänzer verbinden sich mit Paneelen\, Spiegeln und Live-Kameras zu „instabilen Hybriden“ und interagieren in ihren eigenen überlebensgroßen Videobildern. Körper\, Objekteund Live-Videos verschmelzen zu instabilen „Hybridwesen“. Ein zentrales Element der Performance sind die live gespielten zeitgenössischen Kompositionen von Phace\, Ensemble für Neue Musik. \n„Coal Mine Birds“ ist eine weitere Kooperation mit Liquid Loft\, Künstlerische Leitung Chris Haring. Eine spezielle Fassung für den Dornbirner Spielboden wird erarbeitet. \nDauer: 60 Minuten \n\n\nLiquid Loft:\nTanz und Choreografie: Katharina Meves\, Dante Murillo\, Verena Herterich\, Hannah Timbrell\, Jackson Carroll. Künstlerische Leitung und Choreografie: Chris Haring\, Komposition und Soundkonzept: Andreas Berger\, Licht Design und Scenografie: Thomas Jelinek\, Company Management: Cornelia Lehner\, Produktion: Judith Thaler\, Stage Management: Roman Harrer\, Kostüme: Stefan Röhrle\, Social Media: Valentina Diaz\, Texte: Stefan Grissemann \nPHACE:\nManuel Alcaraz Clemente (Schlagwerk)\, Alexandra Dienz (Kontrabass)\, Mathilde Hoursiangou (Klavier/ Keyboard)\, Walter Seebacher (Klarinette(n)) und Roland Schueler (Cello)\, Künstlerische Leitung: Reinhard Fuchs\, Produktion: Markus Bruckner\, PR & Social Media: Michael Eder \nKomponist:innen:\nSimon Steen Andersen\, Alessandro Baticci\, Andreas Berger\, Jérôme Combier\, François Sarhan und Agata Zubel
URL:https://manuelalcarazclemente.com/de/event/phace-liquid-loft-coal-mine-birds-2/
LOCATION:Spielborden Dornbirn\, Färbergasse 15\, Dornbirn\, Austria
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260617T200000
DTEND;TZID=UTC:20260617T213000
DTSTAMP:20260423T170408
CREATED:20251208T174523Z
LAST-MODIFIED:20251208T174743Z
UID:2260-1781726400-1781731800@manuelalcarazclemente.com
SUMMARY:Percussion trio --- die andere Seite
DESCRIPTION:Manuel Alcaraz Clemente – Percussion \nChristian Pollheimer – Percussion \nIgor Gross – Percussion \nWorld premieres by: \nSe-Lien Chuang\, Ernst Christian Rinner\, Klaus Dorfegger\, Akyssa Aska\, Martin Ritter\, Andreas Weixler and Siavosh Banihashemi
URL:https://manuelalcarazclemente.com/de/event/percussion-trio-die-andere-seite/
LOCATION:Priesterseminar\, Barocksaal\, Bürgergasse 2\, Graz\, 8010\, Austria
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260623
DTEND;VALUE=DATE:20260624
DTSTAMP:20260423T170408
CREATED:20251108T173316Z
LAST-MODIFIED:20251108T173316Z
UID:2226-1782172800-1782259199@manuelalcarazclemente.com
SUMMARY:Schallfeld --- Ist das Oper oder kann das weg?
DESCRIPTION:  \nSeveral tables\, packed with dishes\, glasses\, stuff and junk. Is that art or can it be thrown away? Here\, trivial things come to life and tell an ambiguous story with an absurd ending. A mini-drama that unfolds at the kitchen table. Curtain up and join in! Ist das Oper oder kann das weg? (eng. Is that Opera or can it be thrown away?) is a music theatre education project in response format. \nInspired by the contemporary music theatre piece L’opera (forse) (eng. The maybe opera) by the Italian composer Francesco Filidei (with a libretto by Pierre Senges)\, several teams of students work on their own visions and versions of a ‘table and pocket opera’ in which everyday objects become musical instruments or scenic characters. Six classes from Styrian secondary schools develop their own ideas of what art is and what can be ‘left out’ based on Filidei’s anti-opera. The students learn to apply their practical skills creatively by working in groups\, with each group making an independent contribution to the overall performance. The project uses the potential of opera as a multidisciplinary art form: just as many trades come together in the theatre\, the students implement their own ideas for Filidei’s piece in an interdisciplinary way: texts\, costumes and scenography\, alternative dramaturgies and their own musical compositions for new scenes. \n\n\n\n\n\n\nA team of experts in music and theatre education\, together with members of Schallfeld\, is developing a workshop concept in collaboration with teachers from several Styrian secondary and vocational schools that is tailored to the respective classes and school situations and takes into account the abilities of the students and their respective specialisations (craftsmanship\, music\, visual arts). A total of three schools with two classes each will be involved. \nThe results will be part of several concerts by the Schallfeld Ensemble\, in which both the original and the new perspectives will be presented. The low-threshold encounter with contemporary art and opera will spark curiosity about cultural activities. At the same time\, contemporary music will be made more accessible. The original setup of L’opera (forse) serves as the starting point in the workshops for new instruments as well as for writing and composing one’s own scenes. Everyday objects (bottles\, cutlery\, crockery…) become a creative field of experimentation for making sound generators or scenic objects. In addition\, the question arises: Could there be other twists instead of the tragic ending in Filidei? The project promotes interdisciplinary engagement with music and theatre while also providing a creative approach to sustainability\, as everyday materials and ‘junk’ are upcycled to become components of a musical theatre production. \n\n\n\n\n\n\n\n\n\n\n\n\nFilidei’s piece shows in a congenial way how the seemingly irreconcilable can come together: how poetry can arise from trash\, how kitchen Latin can be combined with profound philosophy\, and how music can be created from everyday gestures and objects. At the same time\, L’opera (forse) offers a broad framework for reflection through its multi-layered themes. The opera’s format\, in which an unlikely love story between a fish and a bird ends tragically – both end up as a banquet on Filidei’s table – makes it possible to talk about serious topics such as social exclusion and unequal friendships in a witty\, poetic and ironic way. Ist das Oper oder kann das weg? invites young people to bring their own social and future designs onto the stage in a poetic way. \nThe project is made possible by the Ernst von Siemens Music Foundation. \n \n\n\nMore info: office (at) schallfeldensemble.com
URL:https://manuelalcarazclemente.com/de/event/schallfeld-ist-das-oper-oder-kann-das-weg/
LOCATION:Theater am Ortweinplatz\, Ortweinplatz 1\, Graz\, 8010\, Austria
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260624
DTEND;VALUE=DATE:20260625
DTSTAMP:20260423T170408
CREATED:20251108T173611Z
LAST-MODIFIED:20251108T173611Z
UID:2230-1782259200-1782345599@manuelalcarazclemente.com
SUMMARY:Schallfeld — Ist das Oper oder kann das weg?
DESCRIPTION:  \nSeveral tables\, packed with dishes\, glasses\, stuff and junk. Is that art or can it be thrown away? Here\, trivial things come to life and tell an ambiguous story with an absurd ending. A mini-drama that unfolds at the kitchen table. Curtain up and join in! Ist das Oper oder kann das weg? (eng. Is that Opera or can it be thrown away?) is a music theatre education project in response format. \nInspired by the contemporary music theatre piece L’opera (forse) (eng. The maybe opera) by the Italian composer Francesco Filidei (with a libretto by Pierre Senges)\, several teams of students work on their own visions and versions of a ‘table and pocket opera’ in which everyday objects become musical instruments or scenic characters. Six classes from Styrian secondary schools develop their own ideas of what art is and what can be ‘left out’ based on Filidei’s anti-opera. The students learn to apply their practical skills creatively by working in groups\, with each group making an independent contribution to the overall performance. The project uses the potential of opera as a multidisciplinary art form: just as many trades come together in the theatre\, the students implement their own ideas for Filidei’s piece in an interdisciplinary way: texts\, costumes and scenography\, alternative dramaturgies and their own musical compositions for new scenes. \n\n\n\n\n\n\nA team of experts in music and theatre education\, together with members of Schallfeld\, is developing a workshop concept in collaboration with teachers from several Styrian secondary and vocational schools that is tailored to the respective classes and school situations and takes into account the abilities of the students and their respective specialisations (craftsmanship\, music\, visual arts). A total of three schools with two classes each will be involved. \nThe results will be part of several concerts by the Schallfeld Ensemble\, in which both the original and the new perspectives will be presented. The low-threshold encounter with contemporary art and opera will spark curiosity about cultural activities. At the same time\, contemporary music will be made more accessible. The original setup of L’opera (forse) serves as the starting point in the workshops for new instruments as well as for writing and composing one’s own scenes. Everyday objects (bottles\, cutlery\, crockery…) become a creative field of experimentation for making sound generators or scenic objects. In addition\, the question arises: Could there be other twists instead of the tragic ending in Filidei? The project promotes interdisciplinary engagement with music and theatre while also providing a creative approach to sustainability\, as everyday materials and ‘junk’ are upcycled to become components of a musical theatre production. \n\n\n\n\n\n\n\n\n\n\n\n\nFilidei’s piece shows in a congenial way how the seemingly irreconcilable can come together: how poetry can arise from trash\, how kitchen Latin can be combined with profound philosophy\, and how music can be created from everyday gestures and objects. At the same time\, L’opera (forse) offers a broad framework for reflection through its multi-layered themes. The opera’s format\, in which an unlikely love story between a fish and a bird ends tragically – both end up as a banquet on Filidei’s table – makes it possible to talk about serious topics such as social exclusion and unequal friendships in a witty\, poetic and ironic way. Ist das Oper oder kann das weg? invites young people to bring their own social and future designs onto the stage in a poetic way. \nThe project is made possible by the Ernst von Siemens Music Foundation. \n \n\n\nMore info: office (at) schallfeldensemble.com
URL:https://manuelalcarazclemente.com/de/event/schallfeld-ist-das-oper-oder-kann-das-weg-2/
LOCATION:Theater am Ortweinplatz\, Ortweinplatz 1\, Graz\, 8010\, Austria
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260625
DTEND;VALUE=DATE:20260626
DTSTAMP:20260423T170408
CREATED:20251108T173838Z
LAST-MODIFIED:20251108T173838Z
UID:2232-1782345600-1782431999@manuelalcarazclemente.com
SUMMARY:Schallfeld --- Ist das Oper oder kann das weg?
DESCRIPTION:  \nSeveral tables\, packed with dishes\, glasses\, stuff and junk. Is that art or can it be thrown away? Here\, trivial things come to life and tell an ambiguous story with an absurd ending. A mini-drama that unfolds at the kitchen table. Curtain up and join in! Ist das Oper oder kann das weg? (eng. Is that Opera or can it be thrown away?) is a music theatre education project in response format. \nInspired by the contemporary music theatre piece L’opera (forse) (eng. The maybe opera) by the Italian composer Francesco Filidei (with a libretto by Pierre Senges)\, several teams of students work on their own visions and versions of a ‘table and pocket opera’ in which everyday objects become musical instruments or scenic characters. Six classes from Styrian secondary schools develop their own ideas of what art is and what can be ‘left out’ based on Filidei’s anti-opera. The students learn to apply their practical skills creatively by working in groups\, with each group making an independent contribution to the overall performance. The project uses the potential of opera as a multidisciplinary art form: just as many trades come together in the theatre\, the students implement their own ideas for Filidei’s piece in an interdisciplinary way: texts\, costumes and scenography\, alternative dramaturgies and their own musical compositions for new scenes. \n\n\n\n\n\n\nA team of experts in music and theatre education\, together with members of Schallfeld\, is developing a workshop concept in collaboration with teachers from several Styrian secondary and vocational schools that is tailored to the respective classes and school situations and takes into account the abilities of the students and their respective specialisations (craftsmanship\, music\, visual arts). A total of three schools with two classes each will be involved. \nThe results will be part of several concerts by the Schallfeld Ensemble\, in which both the original and the new perspectives will be presented. The low-threshold encounter with contemporary art and opera will spark curiosity about cultural activities. At the same time\, contemporary music will be made more accessible. The original setup of L’opera (forse) serves as the starting point in the workshops for new instruments as well as for writing and composing one’s own scenes. Everyday objects (bottles\, cutlery\, crockery…) become a creative field of experimentation for making sound generators or scenic objects. In addition\, the question arises: Could there be other twists instead of the tragic ending in Filidei? The project promotes interdisciplinary engagement with music and theatre while also providing a creative approach to sustainability\, as everyday materials and ‘junk’ are upcycled to become components of a musical theatre production. \n\n\n\n\n\n\n\n\n\n\n\n\nFilidei’s piece shows in a congenial way how the seemingly irreconcilable can come together: how poetry can arise from trash\, how kitchen Latin can be combined with profound philosophy\, and how music can be created from everyday gestures and objects. At the same time\, L’opera (forse) offers a broad framework for reflection through its multi-layered themes. The opera’s format\, in which an unlikely love story between a fish and a bird ends tragically – both end up as a banquet on Filidei’s table – makes it possible to talk about serious topics such as social exclusion and unequal friendships in a witty\, poetic and ironic way. Ist das Oper oder kann das weg? invites young people to bring their own social and future designs onto the stage in a poetic way. \nThe project is made possible by the Ernst von Siemens Music Foundation. \n \n\n\nMore info: office (at) schallfeldensemble.com
URL:https://manuelalcarazclemente.com/de/event/schallfeld-ist-das-oper-oder-kann-das-weg-3/
LOCATION:Theater am Ortweinplatz\, Ortweinplatz 1\, Graz\, 8010\, Austria
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260629T190000
DTEND;TZID=UTC:20260629T203000
DTSTAMP:20260423T170408
CREATED:20251006T183339Z
LAST-MODIFIED:20251006T183339Z
UID:2208-1782759600-1782765000@manuelalcarazclemente.com
SUMMARY:Schallfeld ---  Workshop presentation KONSonanzen
DESCRIPTION:In der Schwebe – 100 Jahre Morton Feldman\n \n  \nOn the occasion of the 100th birthday of Morton Feldman (1926– 1987)\, this concert is dedicated to works that focus on listening itself – beyond clear forms\, categories and traditions.\nFeldman’s ‘Between Categories’ is symbolic of music that moves between sound and silence\, structure and dissolution. Francesco Filidei’s ‘Corde vuote’ and Arvo Pärt’s ‘Fratres’ also follow this search for the essential\, for the inner resonance of sound. Together\, the works create a state of suspension – sensitive\, open\, concentrated.\nIn this intergenerational exchange about the quiet possibilities of music\, members of the Schallfeld Ensemble perform together with pupils\, students and undergraduates from the Johann Joseph Fux Conservatory and participants in the supplementary subject ‘New Sounds’.
URL:https://manuelalcarazclemente.com/de/event/schallfeld-workshop-presentation-konsonanzen/
LOCATION:Johann-Joseph-Fux Konservatorium\, Entenplatz 1b\, Graz\, Austria
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260715T130000
DTEND;TZID=UTC:20260728T143000
DTSTAMP:20260423T170408
CREATED:20260107T192926Z
LAST-MODIFIED:20260410T065316Z
UID:2328-1784120400-1785249000@manuelalcarazclemente.com
SUMMARY:PHACE --- Vienna Contemporary Composers Festival
DESCRIPTION:Vienna Contemporary\nComposers Festival\n7. Jul. 2026 // 19:00\nLorely Saal\, Penzinger Straße 72 \, 1140 Wien\n(chamber music) \n15. Jul. 2026 // 13:00\nEhrbar Saal\, Mühlgasse 28\, 1040 Vienna\n(ensemble concert) \n\n\n\n\n\n\n\n\n\n\nPROGRAMM\n \nPHACE ist Ensemble in Residence beim Vienna Contemporary Composers Festival (ehemals Composers Forum des Vienna Summer Music Festival). In Proben und zwei Konzerten erhalten ausgewählte junge Komponisten und Komponistinnen die Möglichkeit neue Werke mit den Musikern und Musikerinnen von PHACE zu erarbeiten und neues Terrain zu erkunden. \nJune 20th / chamber music / works by:\nJune 26th / works for ensemble / works by: \n(Concert for participants of VSMF only)
URL:https://manuelalcarazclemente.com/de/event/phace-vienna-contemporary-composers-festival-2/
LOCATION:Ehrbarsaal\, Mühlgasse 28\, Vienna\, 1040\, Austria
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260721
DTEND;VALUE=DATE:20260722
DTSTAMP:20260423T170408
CREATED:20260324T084330Z
LAST-MODIFIED:20260410T070249Z
UID:2379-1784592000-1784678399@manuelalcarazclemente.com
SUMMARY:PHACE + Cantando Admont --- Salzburger Festspiele
DESCRIPTION:Miserere hominibus\n21. Jul. 2026 // 19:00\nOverture spirituelle\nSalzburger Festspiele\,\nKollegienkirche Salzburg \n\n\n\n\n\nCordula Bürgi\, conductor \nPHACE\nDoris Nicoletti\, flute\nWalter Seebacher\, clarinet\nFrancesco Palmieri\, guitar & theorbo\nTina žerdin\, harp\nOlivier Marin\, viola d’amore\nRoland Schueler\, cello\nAlexandra Dienz\, double bass \nCantando Admont\nFriederike Kühl\, soprano\nHannah Dienes-Williams\, soprano\nElina Viluma-Helling. mezzosoprano\nCornelia Sonnleithner\, alto\nTerry Wey\, countertenor\nDavid de Winter\, tenor\nHugo Paulsson-Stove\, tenor\nThomas Köll\, tenor\nArtem Paches\, baritone\nMichael Hickman\, baritone\nUli Staber\, bass \n\n\nInfos & Tickets\n\n\n\n\n\n\n\n\nDie Lamentationen über die Klagelieder Jeremias\, entstanden für die Liturgie der Karwoche\, verbinden strenge kontrapunktische Kunst mit einer außergewöhnlichen Ausdruckstiefe. Charakteristisch ist Morales’ Fähigkeit\, den zutiefst affektgeladenen Klage-Text in eine musikalische Sprache zu übersetzen\, die zugleich von klarer Ordnung und intensiver innerer Spannung getragen ist. Der Wechsel zwischen dichter Polyphonie und transparenten\, beinahe meditativ wirkenden Passagen lässt Schmerz\, Verlassenheit und Trauer mit großer Eindringlichkeit hervortreten. Dabei ist die Musik von außergewöhnlicher Schönheit und zugleich von einer bemerkenswerten\, anmutigen Nüchternheit. Demgegenüber steht Klaus Hubers Miserere hominibus (2005/2006) für sieben Stimmen und sieben Instrumentalist:innen – eines der eindrucksvollsten Werke liturgischer Musik des 20. Jahrhunderts. In ihm entfaltet sich eine vielschichtige Klangsprache\, die gleichermaßen nach der diesseitigen wie nach der jenseitigen Welt greift. Intensive\, erschütternde Tutti-Passagen stehen versöhnlichen\, ruhigen Momenten von einnehmender Schönheit und Zartheit gegenüber. Es ist eine Musik\, die den Ruf nach Erbarmen radikal in die Gegenwart holt. Im Zusammenspiel der beiden Werke wird deutlich\, wie sich musikalische Klage über Jahrhunderte hinweg verschiebt: von ritueller Ordnung hin zu einer existenziell und politisch zugespitzten Anrufung. \n\n\n\n\nProgramm \nCristobal de Morales\nLamentationen (ca. 1530) für 6 Stimmen \nKlaus Huber (1924-2017):\nMiserere hominibus für 7 Stimmen und 7 Instrumentalist:innen
URL:https://manuelalcarazclemente.com/de/event/phace-cantando-admont-salzburger-festspiele/
LOCATION:Kollegienkirche\, Universitätspl. 1\, Salzburg\, 5020
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260722
DTEND;VALUE=DATE:20260803
DTSTAMP:20260423T170408
CREATED:20260205T185801Z
LAST-MODIFIED:20260410T064749Z
UID:2336-1784678400-1785715199@manuelalcarazclemente.com
SUMMARY:PHACE --- Internationale Sommerakademie der MDW
DESCRIPTION:global – local: Internationale\nSommerakademie der mdw\n1.Aug.2026 // xx:xx\nMasterclass Komposition Abschlusskonzert\nWien\, mdw \n\n\n\n\nPHACE\nDoris Nicoletti\, flute\nAlvaro Collao Leon\, saxophone\nMathilde Hoursiangou\, piano\nManuel Alcaraz Clemente\, percussion\nFrancesco Palmieri\, e-guitar\nBarbara Riccabona\, cello \n\n\n\n\n\n\n\n\n\n\nSeit ihrer Gründung im Jahr 1991 hat sich die isa zu einem international einzigartigen universitären Weiterbildungsformat entwickelt\, das künstlerischen Spitzennachwuchs mit einer interdisziplinären Wissenschaftskonferenz verbindet. Unter der künstlerischen Leitung von Vizerektor Johannes Meissl erhalten jährlich über 200 herausragende Musiker_innen aus mehr als 40 Nationen prägende Impulse für ihre künstlerische Entwicklung und berufliche Laufbahn. \nUnter dem Jahresthema global – local widmet sich die isa26 den Spannungsfeldern zwischen globaler Vernetzung und lokaler Verankerung in Musik\, Kunst und Wissenschaft. In einer Zeit\, in der internationale Kooperationen\, kulturelle Vielfalt und gemeinsame gesellschaftliche Ziele zunehmend unter Druck geraten\, versteht sich die isa als Ort des Dialogs: Unterschiedliche künstlerische Hintergründe\, ästhetische Ansätze und Praxen werden bewusst miteinander in Beziehung gesetzt und kritisch reflektiert. \nPHACE spielt am 1. August beim Abschlusskonzert druckfrische Werke von Teilnehmenden der Masterclass Komposition der Internationalen Sommerakademie.
URL:https://manuelalcarazclemente.com/de/event/phace-isa-masterclasses/
LOCATION:mdw – University of Music and Performing Arts Vienna\, Anton-von-Webern-Platz 1\, Vienna\, 1030\, Austria
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260918
DTEND;VALUE=DATE:20260919
DTSTAMP:20260423T170408
CREATED:20260324T084833Z
LAST-MODIFIED:20260324T084833Z
UID:2393-1789689600-1789775999@manuelalcarazclemente.com
SUMMARY:PHACE --- Klangspuren Schwaz
DESCRIPTION:
URL:https://manuelalcarazclemente.com/de/event/phace-klangspuren-schwaz/
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260919
DTEND;VALUE=DATE:20260920
DTSTAMP:20260423T170408
CREATED:20260324T084517Z
LAST-MODIFIED:20260324T084517Z
UID:2381-1789776000-1789862399@manuelalcarazclemente.com
SUMMARY:PHACE - CODEBORN - Landestheater Tirol
DESCRIPTION:
URL:https://manuelalcarazclemente.com/de/event/phace-codeborn-landestheater-tirol/
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260926
DTEND;VALUE=DATE:20260927
DTSTAMP:20260423T170408
CREATED:20260324T084612Z
LAST-MODIFIED:20260324T084612Z
UID:2383-1790380800-1790467199@manuelalcarazclemente.com
SUMMARY:PHACE - CODEBORN - Landestheater Tirol
DESCRIPTION:
URL:https://manuelalcarazclemente.com/de/event/phace-codeborn-landestheater-tirol-2/
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260927
DTEND;VALUE=DATE:20260928
DTSTAMP:20260423T170408
CREATED:20260324T084633Z
LAST-MODIFIED:20260324T084633Z
UID:2385-1790467200-1790553599@manuelalcarazclemente.com
SUMMARY:PHACE - CODEBORN - Landestheater Tirol
DESCRIPTION:
URL:https://manuelalcarazclemente.com/de/event/phace-codeborn-landestheater-tirol-3/
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261002
DTEND;VALUE=DATE:20261003
DTSTAMP:20260423T170408
CREATED:20260324T084702Z
LAST-MODIFIED:20260324T084702Z
UID:2387-1790899200-1790985599@manuelalcarazclemente.com
SUMMARY:PHACE - CODEBORN - Landestheater Tirol
DESCRIPTION:
URL:https://manuelalcarazclemente.com/de/event/phace-codeborn-landestheater-tirol-4/
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261003
DTEND;VALUE=DATE:20261004
DTSTAMP:20260423T170408
CREATED:20260324T084722Z
LAST-MODIFIED:20260324T084722Z
UID:2389-1790985600-1791071999@manuelalcarazclemente.com
SUMMARY:PHACE - CODEBORN - Landestheater Tirol
DESCRIPTION:
URL:https://manuelalcarazclemente.com/de/event/phace-codeborn-landestheater-tirol-5/
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261004
DTEND;VALUE=DATE:20261005
DTSTAMP:20260423T170408
CREATED:20260324T084743Z
LAST-MODIFIED:20260324T084743Z
UID:2391-1791072000-1791158399@manuelalcarazclemente.com
SUMMARY:PHACE - CODEBORN - Landestheater Tirol
DESCRIPTION:
URL:https://manuelalcarazclemente.com/de/event/phace-codeborn-landestheater-tirol-6/
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261010
DTEND;VALUE=DATE:20261011
DTSTAMP:20260423T170408
CREATED:20260324T084924Z
LAST-MODIFIED:20260324T084924Z
UID:2395-1791590400-1791676799@manuelalcarazclemente.com
SUMMARY:PHACE --- Musikprotokoll
DESCRIPTION:
URL:https://manuelalcarazclemente.com/de/event/phace-musikprotokoll/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20261021T200000
DTEND;TZID=UTC:20261021T210000
DTSTAMP:20260423T170408
CREATED:20260408T114729Z
LAST-MODIFIED:20260408T114729Z
UID:2416-1792612800-1792616400@manuelalcarazclemente.com
SUMMARY:SOLO --- ON:DRUMS --- Cafe Wolf
DESCRIPTION:
URL:https://manuelalcarazclemente.com/de/event/solo-ondrums-cafe-wolf/
LOCATION:Cafe Wolf\, Annenstraße 18\, Graz\, 8020\, Austria
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20261028T200000
DTEND;TZID=UTC:20261028T213000
DTSTAMP:20260423T170408
CREATED:20260330T094403Z
LAST-MODIFIED:20260330T094403Z
UID:2410-1793217600-1793223000@manuelalcarazclemente.com
SUMMARY:Schallfeld --- SPIEGELUNGEN V
DESCRIPTION:
URL:https://manuelalcarazclemente.com/de/event/schallfeld-spiegelungen-v/
LOCATION:Theater am Lend\, Wiener Str. 58a\, Graz\, 8020
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261111
DTEND;VALUE=DATE:20261112
DTSTAMP:20260423T170408
CREATED:20260417T191105Z
LAST-MODIFIED:20260417T191105Z
UID:2428-1794355200-1794441599@manuelalcarazclemente.com
SUMMARY:PHACE
DESCRIPTION:info coming soon
URL:https://manuelalcarazclemente.com/de/event/phace-2/
LOCATION:Reaktor Wien\, Geblergasse 36-40\, Wien\, Austria
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261113
DTEND;VALUE=DATE:20261114
DTSTAMP:20260423T170408
CREATED:20260417T190856Z
LAST-MODIFIED:20260417T190935Z
UID:2424-1794528000-1794614399@manuelalcarazclemente.com
SUMMARY:PHACE --- Die Stadt ohne Juden --- ME_MMIX Festival
DESCRIPTION:Stummfilm\nDie Stadt ohne Juden  (Österreich\, 1924) \nRegie: Hans Karl Breslauer\nMusik: Olga Neuwirth (2017) \nComissioned by Wiener Konzerthaus\, Elbphilharmonie Hamburg\, Ensemble Intercontemporain\, Barbican Centre and Sinfonieorchester Basel.  \nThe silent film THE CITY WITHOUT JEWS is now considered one of the most important Austrian productions of the interwar period. In an irritatingly prophetic way\, it shows the cultural and economic impoverishment of a city after the expulsion of the Jewish population. The work was only preserved in a fragmentary version – also trivializing its content – until the Austrian Film Archive finally rediscovered the missing parts in France.
URL:https://manuelalcarazclemente.com/de/event/phace-die-stadt-ohne-juden-me_mmix-festival/
LOCATION:Teatre Principal de Palma\, Carrer de la Riera\, 2\, Centre\, Palma\, 07003\, Spain
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20261127T193000
DTEND;TZID=UTC:20261127T213000
DTSTAMP:20260423T170408
CREATED:20260325T075130Z
LAST-MODIFIED:20260325T075143Z
UID:2397-1795807800-1795815000@manuelalcarazclemente.com
SUMMARY:PHACE --- Zyklus #1 --- States of Intermeshing
DESCRIPTION:Programm: \nMatthias Kranebitter\n28 Auditory Scenes for investigating cocktail party deafness (2022) \nCorie Rose Soumah\nStates of Intermeshing: vii. what is past is prologue (2025) (EA) \nDavor Vincze\nQUEE(n)R (2023) (EA) \nPause \nGeorgia Koumará\nNeues Werk (2026) (UA)\nKompositionsauftrag von PHACE und Wien Modern
URL:https://manuelalcarazclemente.com/de/event/phace-zyklus-1-states-of-intermeshing/
LOCATION:Wiener Konzerthaus – Berio Saal\, Lothringerstraße 20\, Vienna\, 1030\, Austria
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20261202T200000
DTEND;TZID=UTC:20261202T213000
DTSTAMP:20260423T170408
CREATED:20260330T094849Z
LAST-MODIFIED:20260330T094849Z
UID:2413-1796241600-1796247000@manuelalcarazclemente.com
SUMMARY:Schallfeld --- SPIEGELUNGEN VI
DESCRIPTION:
URL:https://manuelalcarazclemente.com/de/event/schallfeld-spiegelungen-vi/
LOCATION:Minoritensaal-Graz\, Mariahilferpl. 3\, Graz \, Austria
END:VEVENT
END:VCALENDAR